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  • On the 300th anniversary of his birth, hear how music by Johann Sebastian's son Carl Philipp Emanuel bridged the gap between the old-fashioned Baroque and newfangled music by Haydn and Mozart.
  • From tiny Denmark comes a big symphonic sound. Three recent albums offer a glimpse of the Nordic sound, from the undervalued Carl Nielsen, the experimental Per Nørgård and the accessible Poul Ruders.
  • It's been a banner year for classical box sets. Deceptive Cadence hosts Anastasia Tsioulcas and Tom Huizenga tell us why and choose a few of their favorites.
  • On his new album, the 29-year-old violinist finds connections between two seemingly disparate concertos by Jean Sibelius and Thomas Adès.
  • The bitter suffering and voluptuous lyricism of Bach's St. Matthew Passion are channeled with empathy by a popular piano duo.
  • After eight seasons, the Philharmonic's very first homegrown conductor will leave the orchestra at the end of the 2017 season. Hear an interview with Gilbert about his decision to depart.
  • Baltimore Symphony Conductor Marin Alsop's latest musical adventure muses on a famous meeting between the troubled composer Gustav Mahler and the father of psychoanalysis, Sigmund Freud.
  • Although he never opted for a glittery career, Mackerras was a favorite of fans and critics. His passion for the music of Leos Janacek led him to almost singlehandedly rebuild the composer's reputation as one of the most important opera composers of the 20th century.
  • She's best known for singing arias on opera stages the world over, but Norman's new CD finds her in front of a live audience, singing jazz and spirituals. Hear the celebrated soprano talk about her first new solo record in more than 10 years.
  • The violinist, once described as having a "controversial sense of fun," reflects on her self-confidence and her much-discussed album covers.
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