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  • The British magazine has trimmed down the number for awards being handed in its 90th annual prize ceremony. Is that good or bad for classical music?
  • A bright-eyed child transforms an elegiac prayer in a new video from New York Polyphony and director Mark DeChiazza, featuring incandescent music by the late English composer Richard Rodney Bennett.
  • The resourceful young violinist asked for brand-new encores — and, boy, did she get them. Hear fascinating works by 27 contemporary composers, written especially for Hilary Hahn.
  • From sorrow, the music builds to a climax of intensity, and finally reaches serene acceptance. Commentator Rob Kapilow conducts a guided tour of Barber's best-known piece.
  • Bach's cantatas contain some of his greatest music, but their individual sections are seldom performed out of context, least of all by celebrities. Classical music critic Lloyd Schwartz says Hilary Hahn's new CD, Bach: Violin & Voice, provides a welcome exception to this rule.
  • He was once dismissed as a composer for "high middlebrow taste." But Barber, who wrote the famous Adagio for Strings, would not be criticized if he were an emerging composer today, 100 years after his birth.
  • A young tenor from New Orleans elegantly launches high Cs in a stirring but punishingly difficult Rossini aria. This is why we listen to opera!
  • The modernist composer's solo percussion music — fueled by quick pulses in bongos and the fat punctuations of bass drums — flows in a new recording.
  • With secular texts, soaring vocals and electronics, Mazzoli twists the traditional vesper prayer service to reflect our high-tech times.
  • Britten's response to the collective bloodshed of the 20th century remains as vital and visceral as it was when his Requiem premiered more than 50 years ago. It was commissioned for the reconsecration of Britain's Coventry Cathedral, which had been destroyed by a Nazi bomb raid in 1940.
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