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The Metropolitan Opera/https://www.metopera.org/season/2022-23-misc/for-ukraine-a-concert-of-remembrance-and-hope/The Metropolitan Opera, in association with Lincoln Center and the Permanent Mission of Ukraine to the United Nations, announced a concert to mark the one-year anniversary of Russia’s brutal invasion of its neighbor. -
New World Symphony/https://www.facebook.com/watch/?v=440361661209112The soulful art, stories and more of the Harlem Renaissance’s cultural giants will leap from the history pages to the New World Center in an event you do not want to miss.
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Host Edmund Stone takes us on a musical journey to imaginary lands from below the sea, around the globe and into the heavens, where you may even be able to "phone home." -
Kinds of Kings, a composer collective founded in 2017, is a collective of multifaceted composers committed to building a positive and supportive community around the creation and experience of new music. This month they join Eighth Blackbird and the Cincinnati Symphony to debut a new work, Nine Mothers.
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Expelled from Spain, the culture, language and music of Sephardic Jews or Ladinos, long associated with the Iberian Peninsula, has been preserved in Northern Africa, Greece, Turkey and the Netherlands.
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Grammy Award winning, American composer Bryce Dessner, is "a vital and rare force in new music." (Wise Music Classical)
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American composer, pianist, and organist, George Theophilus Walker was the first African American to win the Pulitzer Prize winning for Music, which he received in 1996 for his work Lilacs.
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Join host Kathlene Ritch as she celebrates Black History Month! Featuring music of African American composers William Dawson and Moses Hogan. Kathlene chats with composer and conductor Dr. Andre Thomas, as they discuss how concert spirituals and their performance practice have evolved over the 20th century through the present day.
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During Black History Month we celebrate the artistry of pianist Awadagin Pratt and Jessie Montgomery, who are both Black. The turbulent summer of 2020 forced the classical music industry to take a hard look at its own spotty history of inclusion. “Things have changed,” Pratt said. “It will be interesting to see if it’s sustained and what shapes it takes.”
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