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  • The Welsh bass-baritone is a superstar of the opera world, known for playing the vilest of villains. His new record, Bad Boys, features some of the best evil roles in opera and musical theater.
  • Is Don Giovanni the greatest opera of them all, as some have suggested? That's hard to say, but Mozart's brilliant combination of stark human tragedy and realistic comedy features music of limitless genius, and a drama that lives up to the score.
  • Schumann's entire being was music, informed by dream and fantasy. He was music's quintessential Romantic, always ardent, always striving for the ideal. Learn about his passionately creative but troubled life, and hear some of his best music.
  • The cello has been firmly entrenched in Western classical music for hundreds of years, but Provenance, the new record from the Israeli cellist, traces the instrument back its Middle eastern roots.
  • To mark the 200th anniversary of Robert Schumann's birth, commentator Rob Kapilow takes a look at "Träumerei,"one of Schumann's most quiet, introspective pieces.
  • Celebrating the 200th anniversary of the composer's birth, Morning Edition commentator Miles Hoffman takes the measure of Schumann, the man and his music.
  • Under the name A Broken Consort, Richard Skelton sketches ambient abstracts of the British countryside. In a flutter of drones, "Mountains Ash" moves like volcanic ash in cinematic slow motion.
  • Verdi's tightly wound masterpiece swirls heartfelt sentiment together with appalling violence and genuine tragedy, along with some of the most familiar tunes he ever composed.
  • Henryk Górecki's rather simple arrangement of a folk song from the Kurpie region of northeast Poland holds power beyond its purpose.
  • The new music ensemble from New York puts a bold, orchestral spin on that Beatles song you always skip over on the White Album.
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